Rocky Balboa, a small-time boxer, gets a supremely rare chance to fight heavy-weight champion Apollo Creed in a bout in which he strives to go the distance for his self-respect.
On Valentine’s Day, a double-decker bus explodes in a fiery blast, killing many and leaving charred remains, with evidence pointing to a deliberate act by two passengers, Fai and Ike, a gay couple from troubled backgrounds living on society’s margins. As retired forensic expert Lung Sir investigates, he uncovers their tragic story of abuse, homophobia, and despair, culminating in their decision to end their lives in a suicidal protest against an unjust world, leaving behind a haunting message: “On a beautiful day, we end our unbeautiful lives.”
One summer in the third grade, a quiet boy named Tsubasa meets Gyotaro, a boy everyone in the class looked up to, and the two become close friends. Within their small world, they share irreplaceable moments—until a small incident suddenly tears them apart.
For twenty years, Bruno and Malik have lived in a different world—the world of autistic children and teens. In charge of two separate nonprofit organizations (The Hatch & The Shelter), they train young people from underprivileged areas to be caregivers for extreme cases that have been refused by all other institutions. It’s an exceptional partnership, outside of traditional settings, for some quite extraordinary characters.
In Tehran’s underground art scene, Pari, a theater director, and Hanna, a dancer, are roommates, best friends, actors, and professional partners, navigating rehearsals, performances, and the quiet rituals of everyday life—until their secret circle is discovered. Shot covertly but far removed from familiar portrayals of Iran, directors Maryam Ataei and Hossein Keshavarz blur the boundaries between theatrical performance and lived experience, crafting a luminous portrait of sisterhood where art becomes inseparable from life and even the smallest creative choices can become acts of resistance.
With her brother, Sanghee visits her mother on Jeju Island. It’s been 10 years. Her mother's restaurant has become a hit. Her stepfather is making a film about a "grass tomb". His daughter has just started painting. Previously unknown facts, needless advice and cheap compliments are passed back and forth. On the morning of her departure, the other family members watch one of Sanghee's films.
Daseon and Heesoo, a lesbian couple, decide to divorce. As their two children struggle to choose which mother to live with, the family sets out on an unexpected trip together.